Featured May 10, 2025 Manabu Koga’s Subculture Commentary: “JAPANESE CITYPOP” May 10, 2025 May 10, 2025 May 7, 2025 City Pop’s Neo-Nostalgia: Opening Doors in Alt-J-Pop May 7, 2025 May 7, 2025 Dec 28, 2024 Copyright On Time: Tatsuro Yamashita’s War on Overseas Audiences Dec 28, 2024 Dec 28, 2024 Dec 18, 2024 Interview with the City Pop Godfather: Tetsuji Hayashi Dec 18, 2024 Dec 18, 2024 Apr 27, 2023 Anri Re-issues Iconic Vinyl LPs Signaling a New Era for City Pop Apr 27, 2023 Apr 27, 2023 Jan 18, 2023 Memoirs of a Gaijin II: Teacup of Melancholy Jan 18, 2023 Jan 18, 2023 Jan 7, 2023 Why Tatsuro Yamashita’s Vinyl Represses Are The Most Important Of The Year Jan 7, 2023 Jan 7, 2023 May 25, 2022 What Happened to Takako Mamiya? [Mystery Solved] May 25, 2022 May 25, 2022 Apr 29, 2022 Barber Beats: The Future of Vaporwave Apr 29, 2022 Apr 29, 2022 Oct 16, 2021 Another Top 10 City Pop Songs List Oct 16, 2021 Oct 16, 2021 Jun 11, 2021 10 City Pop Songs About Summer Jun 11, 2021 Jun 11, 2021 May 26, 2021 The History of Murasaki Sake Lounge May 26, 2021 May 26, 2021 Apr 28, 2021 Memoirs of a Gaijin Apr 28, 2021 Apr 28, 2021 Mar 30, 2021 The Rise & Fall of Vaporwave Mar 30, 2021 Mar 30, 2021 Mar 2, 2021 Why is City Pop Nostalgic? Mar 2, 2021 Mar 2, 2021 Jan 19, 2021 The Tragic End & Lasting Appeal of Miki Matsubara Jan 19, 2021 Jan 19, 2021 Nov 7, 2020 Hideki Saijo: The Japanese Elvis Presley Nov 7, 2020 Nov 7, 2020 Oct 23, 2020 City Pop & Depression Oct 23, 2020 Oct 23, 2020 Oct 21, 2020 What Happened to Artzie Music Oct 21, 2020 Oct 21, 2020 Oct 21, 2020 City Pop Aesthetics Oct 21, 2020 Oct 21, 2020 Oct 20, 2020 What is Korean City Pop Oct 20, 2020 Oct 20, 2020 Oct 19, 2020 The Top 10 City Pop Albums Oct 19, 2020 Oct 19, 2020 Oct 12, 2020 Junko Ohashi & The Magical $500 Record Oct 12, 2020 Oct 12, 2020 Oct 9, 2020 Where to find City Pop in Tokyo Oct 9, 2020 Oct 9, 2020
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